"The Longest Street in the World": by Theodore C. Van Alst, Jr.
"White Hills": by Rebecca Roanhorse
"Collections": by Amber Blaeser-Wardzala
"Kushtuka": by Mathilda Zeller
"Scariest. Story. Ever.": by Richard Van Camp
A
"Behind Colin's Eyes": by Shane Hawk
"The Prepper": by Morgan Talty
"Sundays": by David Heska Wanbli Weiden
"Hunger": by Phoenix Boudreau
"The Ones Who Killed Us": by Brandon Hobson
B
"The Scientist's Horror Story": by Darcie Little Badger
"Navajos Don't Wear Elk Teeth": by Conley Lyons
"Eulogy for a Brother, Resurrected": by Carson Faust
"Before I Go": by Norris Black
"Human Eaters": by Royce K. Young Wolf
C
"Limbs": by Waubgeshig Rice
"Tick Talk": by Cherie Dimaline
"Uncle Robert Rides the Lightning": by Kate Hart
"Dead Owls": by Mona Susan Power
"Heart-Shaped Clock": by Kelli Jo Ford
"Wingless": by Marcie R. Rendon
D
"Capgras": by Tommy Orange
"Night Moves": by Andrea L. Rogers
"Night in the Chrysalis": by Tiffany Morris
Spreg
"Snakes Are Born in the Dark": by D.H. Trujillo
Created Feb 6, 2026
Rank the chilling tales from "Never Whistle at Night," the groundbreaking Indigenous horror anthology that brings together voices like Rebecca Roanhorse, Tommy Orange, and Cherie Dimaline. This collection features 26 stories rooted in Native American folklore and contemporary Indigenous experiences, from Waubgeshig Rice's unsettling "Limbs" to Richard Van Camp's meta-horror "Scariest. Story. Ever." Each narrative blends traditional warnings with modern terror—whether it's shapeshifters in "Kushtuka," family secrets in "Capgras," or supernatural vengeance in "The Ones Who Killed Us." These stories reclaim horror through Indigenous perspectives, transforming ancestral knowledge and cultural taboos into spine-tingling fiction. Which tales haunted you most? Which stories best captured the intersection of Indigenous identity and fear?